
The story revolves around a family of master divers who are
exploring a cave system in Papua New Guinea. When their sponsor arrives with
his girlfriend to check on the progress, a storm hits the surface, bringing in
landslides and closing the main entrance of the cave. The way out is through a
hitherto unexplored section of the cave that promises to open out into the
ocean. The story also has a good personal dimension with the tensions between
Josh, the son who feels his father, Frank has forced him to take up diving
against his will. The situation is compounded when Josh’s mother Judes dies en route.
How the team manages their personal conflicts against the force of nature is
what the film explores.
Clearly the usp of the film is in its technical finesse.
Executive Producer James Cameron allowed the crew to use some of his 3D
filmography techniques he developed for Avatar. Alister Grierson’s direction
gives us a fast paced film with no dull moments and manages to create a
pressure cooker environment with frayed tempers and often shows mirrors to the
conscience of the principal characters. The quality of acting is not top notch
and the exchanges seem rather mundane. But the beauty of the challenge lets us
forget that. The location hunting has been spot on and large cave systems in
South Australia were used for filming.
The actors really play second fiddle to the context in this
film. They are physically up to the task and pass muster when it comes to
serious discussion. The only one who makes any impact is Richard Roxburgh who
plays the father and master diver Frank. He has to deal with the death of his
wife on his conscience and the belligerence of his difficult son, while
figuring out a way to get them out of the cave system.
‘Sanctum’ is a good film to watch for its technical
brilliance and the jaw dropping underwater scenery.
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