The story revolves around Miles and Jack, 2 friends who
decide to go on a week-long road trip through wine country in California. Jack
is a struggling TV actor who is about to marry a rich woman. Miles is a
struggling writer, depressed and forlorn owing to a divorce, something that he
hasn’t been able to let go of. Jack nurses a fantasy of getting laid on the
trip and warns Miles not to get in the way with his sadness and disinterest in
the good things of life. Jack befriends 2 girls, one a young hot single mother
Stephanie and the other a divorced mature woman Maya and they double date.
While Jack cozies up to Stephanie, Maya and Miles start talking. While Miles
finds himself getting attracted to Maya, her love for wine and her views of
life, he knows that he has to let the past go.
The story is as expected anecdotal, which is typical of this
genre. Such films work if the road trip is seen as truly a life changing period
in the character’s lives. In some cases, like say ‘Zindagi Na Milegi Dobara’ or
‘Motorcycle Diaries’ or ‘Easy Rider’, it is more pronounced. In some cases,
like ‘Sideways’, it is a subtle shift. Alexander Payne keeps the pace as slow
as possible, in order to give the viewer a taste of the characters, the way
they would taste wine. When we go through difficulties in life, it is natural
for us to identify with the idea of difficulty, than with ease. When Maya asks
Miles, why he loves Pinot noir so much, he goes into length to explain, how
difficult it is to grow that grape and in doing so reveals a lot about his love
for wine and about his inner turmoil. The film won the Oscar for Best Adapted
Screenplay.
Paul Giamatti delivers a fabulous performance as the
cerebral, suffering Miles. His portrayal of a man, who is struggling to come to
terms with the end of a relationship, while spurning efforts to get him out of
that state is a superb demonstration of balanced acting. Thomas Haden Church as
the more visceral, red blooded man who wants the last grope at being wild
before he settles down is the perfect foil for Miles as he tries to shake his
friend out of his self-pity escapade and make him see the light. Virginia
Madsen, as the angelic Maya who gives Miles just the soothing nudge he needs to
move on is effective in a small role that earned her an Oscar nomination.
‘Sideways’ is a grown up film. Great for a Sunday watch.
No comments:
Post a Comment