The story revolves around two single men, one divorced and
rich sports writer, Oscar Madison and the other a recently separated devoted
family man, Felix Ungar, who come to live under the same roof when Oscar offers
to take in Felix into his 7-bedroom apartment, because he has nowhere else to
stay. But there is a problem. Felix is obsessively clean and Oscar,
compulsively sloppy. Little do they realize that what could have been a guy’s dream
bachelor pad turns into a marriage of a different kind.
The film in setting stays close to a play. Most of
the action takes place in Oscar’s apartment with very little outdoor footage.
The claustrophobia felt by Oscar, brought about by the sultry New York weather
and Felix’s obsessive cleaning frenzy is brought out superbly in Neil Simon’s
screenplay and filmed with a lot of dexterity by Gene Saks, himself a great
stage director. Like in all classic comedies, the laughs only serve to hide
something deeper inside. Felix and Oscar are dear friends who are close. They
are also lonely men, who look for company in each other, while reflecting on
what went wrong in their marriages. While you laugh at their plight, you also
feel for their situation.
The dynamic duo are at the peak of their powers. In a
tribute to Lemmon at the AFI Lifetime Achievement Awards, Walter Mathau spoke
of him as an actor who makes you see pain and suffering through the eyes of
someone very close and familiar. Those words are resoundingly true as Felix
shows pictures of his children and his ex-wife and breaks down, realizing the
enormity of what has hit him. Walter Mathau plays the reactive role, with
Lemmon taking charge with his histrionics. He masters the New York accent which
pronounces first as ‘foist’ and his trademark deadpan responses and quippy one-liners
are a perfect foil for Lemmon’s balderdash.
‘The Odd Couple’ is a landmark in comedy.
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