
Harry Caul is a surveillance expert, a private operator who
spies on people and records their conversations for his clients. His motto has
always been to keep distance from the objective of his client, focusing instead
on doing his job right. When a competitor brings out a ghost from Harry’s past,
where his recordings led to the death of a family, Harry begins to feel
responsible for the consequence of his current recording, between a cheating
wife and her lover and particular sentence, ‘He’d kill us if he had a chance’.
Faced with inner turmoil between his natural instinct to walk away and a sense
of guilt, Harry must decide what to do.
Francis Ford Coppola’s screenplay and direction of ‘The
Conversation’ are mind blowing. The first 10 minutes are spent on the
conversation between the woman and man in a square, with lots of people around
them. That conversation is played and re-played, serving as a background to
Harry’s thought process, showcasing outstanding sound direction.
The viewer is taken
into the deep recesses of Caul’s mixed up mind that suppresses guilt and
suspicion. Cual’s loneliness and claustrophobic existence are depicted superbly
through his interactions with his occasional girlfriend, to whom he cannot even
express his love, his awkward interaction with people and his ultimate
confrontation with himself. The film was nominated for directing, writing and
sound at the Oscars.
This has to be one of Gene Hackman’s finest roles. As his
world begins caving in on him, you can sense his increasing discomfort. Hackman’s
character doesn’t say much but conveys everything through body language. A fine
example of method acting. A young Harrison Ford does a good job of playing the
client’s assistant, who keeps Caul guessing on his fate.
‘The Conversation’ is a great suspense film, high on content and technique.
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