
Bobby Dupea works in a California oil field and lives in
with a waitress girlfriend. Nothing wrong with the stereotype, but a close
examination reveals that Bobby is trying on a different suit. One that takes
him away from what he was born into and grew up in. His increasing frustration
at his girlfriend’s unsuccessful attempts at improving her musical abilities
and her narrow vision of having his kids is met with sad news that his father
has had a stroke and might not survive longer. He reluctantly decides to make a
trip to his hometown, where he finds a temporary promise, but a longer lasting
realization: he hadn’t found his place in the world.
The story of the film is unlike your typical plot, where
good _does_ triumph over evil or the protagonist _does_ overcome the obstacles
to achieve his objective. In movies like this, it is the inner journey of the
character that is brought out and towards the end, he has moved from point A to
B, but there is no certainty that he has found what he was looking for. Bobby
is boiling over and it is just a matter of time. Everything around him is
something that he has left behind or something that doesn’t fit him. Carole
Eastman and Bob Rafelson’s writing provide some thoughtful moments brought to
life by Rafelson’s direction. The music of the film is well embellished with
Chopin, Bach & Mozart.
This is one of Jack Nicholson’s landmark films, one that
underlined the quality of his acting. Dupea’s two-layered existence is never in
your face, but eased on you like a fragrance, over time and smoothly. His
ultimate admission to his ailing father on his inner struggles and his way of
looking at life is probably one of the best scenes you could see on film. He
was nominated for a Best Actor Oscar. Karen Black is extremely convincing as
the waitress-girlfriend, who serves as grim reminder to Bobby on his impending ordinary
future with her.
‘Five Easy Pieces’ is a wonderful depiction of discomfort
with one’s place in the world.
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